Whitespace Exhibition

My recent exhibition at the Whitespace Gallery was a show involving myself and Roz McKenzie. The work was a mixture of drawings, painting and contemporary stained glass. To see more of Roz's work click on the link above.. 

Roz's stained glass panels were in lightboxes which we built ourselves and hung on a particular wall of the gallery to get the right level of light (direct light from strip lights on the panels would have ruined the effect).

                                     

My work mostly involved drawings but included the watercolours and oil painting hung on this particular wall. The big painting is titled 'Arsenic Mine' and is based on drawings and photographs I took in Cornwall of abandoned arsenic mines which ran down to the cliff edges. I have previous posts on this blog and my other website. The watercolours were looking at 10 Downing Street and the Houses of Parliament. I was interested in the odd way in which these places represented the heart of our 'democracy' while at the same time looking like a cage. I found the image of tourists staring at fairly mundane scenes through bars at the police officers within like some sort of bizarre zoo. 

More hanging Roz's stained glass panels.

These small drawings took up the last wall of the gallery, they were all drawings I have done in-situ. They are mostly from the various places I have been in the previous year - Wells, Erfurt and paderborn. These drawings represent a sort of travelogue of my travels.

Downing Street/Parliament watercolours with reflections.

The Tin Mine

I finished the Cornish Tin mine painting a couple of weeks ago, thought I would post the results on here. After some painstaking dot action I was able to complete the grassy foreground area. I was most pleased with the (subtle) results. No one will probably even notice the dots, I am however quite happy to know they are there and that there are literally hundreds of them. Next painting I do it on I should really keep a count and mark it somewhere on the canvas.. Anyway here are some pics:

This is the whole painting, my normal camera lens went haywire so I used another camera. After 5 years it has lasted surprisingly long, especially considering the bashes it took. Anyway hence the vignetting on the image. I added in a few details - the shadows and the moon. This was to add some more dimension to the painting.

Dots in the sky, dots on the ground...

I was back in Cornwall recently and was within a stones throw of the site this painting represents. It was interesting to go back and see the area again after over a year.

The moon and shadows.

Arsenic Mines

Here's some pictures of a large scale painting I am working on. It's of Tin Mines in Cornwall and is based on the strange structures left behind on the landscape after the centuries of mining in the area.

The remains of what were arsenic mines and processing buildings were dotted all over the landscape close to Lands End. Cornwall was once the world's biggest producer of arsenic, besides copper and tin. See http://www.cornish-mining.org.uk/story/earlymod.htm for more info if you are interested. Now all that is left are strange structures rising out of the orange soil like standing stones. The landscape is bleak but beautiful with a strange mix of windswept cliffs and half buried mines dotting the cliff edges. The soil too has a weird colour, the heavy metals present prohibit any type of farming.

In this painting I am working on it in oils, ink and gouache. I intend to have it finished in the next week or so ready for exhibiting and will buy a few more canvas/board of a similar size to do a few more. The subject matter fascinates me, a 'wild' landscape that when viewed closer reveals centuries of heavy industrial activity.

A close up of the concrete pillars. The weathering effect of the Atlantic Ocean made these very beautiful and aged. More detail to come..

Tin Sea